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In the past, interiors were come up with instinctively in the process of building.[1]

The profession of decor has been a reaction of the growth of society as well as the complex architecture containing resulted from the introduction of industrial processes.

The hunt for effective usage of space, user well-being and functional design has contributed to the introduction of the contemporary design profession. The profession of home design is separate and distinct from your role of interior decorator, a condition commonly used from the US; the idea of is less frequent in the UK, the location where the profession of interior planning is still unregulated and as a consequence, as it happens, not even officially a profession.

In ancient India, architects would also work as interior designers. This can be seen on the references of Vishwakarma the architect—one in the gods in Indian mythology. In these architects' style of 17th-century Indian homes, sculptures depicting ancient texts and events have emerged inside the palaces, while over the medieval times sketches paintings were perhaps the most common feature of palace-like mansions in India popularly known as havelis. While most traditional homes have already been demolished for making way to modern buildings, you will still find around 2000 havelis[2] within the Shekhawati region of Rajashtan that display sketches paintings.

In ancient Egypt, "soul houses" (or designs of houses) were put in tombs as receptacles for food offerings. From these, it's possible to discern information about the home design of different residences through the entire different Egyptian dynasties, like changes in ventilation, porticoes, columns, loggias, windows, and doors.[3]

Throughout the 17th and eighteenth century and in to the early 1800s, interior decoration was the concern from the homemaker, or perhaps an employed upholsterer or craftsman who'd advise on the artistic style on an interior space. Architects would also have craftsmen or artisans to complete decor for their buildings.

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