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In the past, interiors were assembled instinctively as part of the process of building.[1]

The profession of decor has been a response to the progression of society and also the complex architecture which has resulted from enhancing industrial processes.

The search for effective utilization of space, user well-being and functional design has contributed to the roll-out of the contemporary interior planning profession. The profession of decor is separate and distinct in the role of interior decorator, a phrase commonly used from the US; the definition of is less frequent in the UK, in which the profession of interior planning is still unregulated and so, as it happens, not even officially a profession.

In ancient India, architects would also serve as interior designers. This can be seen on the references of Vishwakarma the architect—one with the gods in Indian mythology. In these architects' variety of 17th-century Indian homes, sculptures depicting ancient texts and events are located inside the palaces, while through the medieval times paintings paintings were perhaps the most common feature of palace-like mansions in India often called havelis. While most traditional homes have already been demolished for making way to modern buildings, you will still find around 2000 havelis[2] inside Shekhawati region of Rajashtan that display sketches paintings.

In ancient Egypt, "soul houses" (or designs of houses) were put into tombs as receptacles for food offerings. From these, you are able to discern information about the decor of different residences through the different Egyptian dynasties, for instance changes in ventilation, porticoes, columns, loggias, windows, and doors.[3]

Throughout the 17th and 1700s and in to the early nineteenth century, interior decoration was the concern in the homemaker, or even an employed upholsterer or craftsman who does advise on the artistic style for the interior space. Architects would utilize craftsmen or artisans to complete home design for their buildings.

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